By Janice Hardy, @Janice_Hardy
Sequels are the emotional glue holding scenes together.
Before I dive it, I’m over at The Insecure Writer’s Support Group today, chatting about the dangers of empty dialogue. Come on over and check it out!
Now, on to today’s regularly scheduled post…
The sequel trips up a lot of writers, even when they know what it is. The most common problem is thinking it has the same nature (and structure) as a scene, so they try to write it as one.
And it fails.
The pacing flatlines, there’s no goal, and often, writers twist themselves into knots trying to add a goal, motivation, and conflict to a sequel, trying to “make it work.”
Continue Reading
Sequels are the emotional glue holding scenes together.
Before I dive it, I’m over at The Insecure Writer’s Support Group today, chatting about the dangers of empty dialogue. Come on over and check it out!
Now, on to today’s regularly scheduled post…
The sequel trips up a lot of writers, even when they know what it is. The most common problem is thinking it has the same nature (and structure) as a scene, so they try to write it as one.
And it fails.
The pacing flatlines, there’s no goal, and often, writers twist themselves into knots trying to add a goal, motivation, and conflict to a sequel, trying to “make it work.”
Continue Reading